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My Camera + Film Reunification

How I ended up shooting and loving film again after 30 years away.

The picture above of my beloved dog from earlier this year is the first film picture I have taken in 30 years. I used my old Nikon FTN Photomic that I’ve had for 50+ years to take it. I haven’t used it since 1990.

I always loved photography. So, at age 20, I enrolled in photography school and learned all that I could about film photography that was available at the time. After graduating, I worked in a custom photo lab using the knowledge and skills I had learned in school.

In school, we only used medium and large format cameras since they were the primary cameras used in commercial photography of the day. Years later, as digital photography began to emerge and grow over time, I immersed myself in that world. I eventually returned to school where I took online classes in a visual communications program. There, I learned more about the digital world I was moving into. As a consequence, I left film photography behind.

Digital and Analog coexistence.

I love technology. For all the virtues and convenience the digital world offers, I feel there is ample room for it to coexist with, rather than replace, an analog foundation that has been enjoyed by so many for years. For me, that is the case for adding film back into my photography again after 30 years away.

It started as a whim that I couldn’t get out of my head. I saw how film never died out as many expected. Instead, it became increasingly popular over recent years. This change was initially driven by younger generations. They did not grow up with analog photography but were learning and living it deliberately instead. As I took notice, I began saying that I might get out my 50+ year old Nikon FTN. I wanted to throw some Tri-X film in it, and see what happens. After saying that too often, I finally backed up those words and took the plunge early this year, 2025. I did not know if my old Nikon camera would work and if so, how well. All that would be lost by trying if it didn’t work out would be a roll of film.

It was odd at first. The Nikon FTN Photomic that felt so natural in my hands in my 20s and 30s now felt strange, heavy, and cumbersome. There were many profound differences between this camera and all the digital cameras I had used over the last 25 years. This included my current Nikon D750. That said, after some cleaning and dusting it off as best I could, I haltingly loaded a roll of Ilford HP5 Plus into it from memory (muscle or other), and away I went. I discovered that the Kodak Tri-X I knew and loved in the 70s had been “changed.” As a result, I went with the other film I remembered from old film days, Ilford. To my delight, it did not disappoint.

Diving In

As I dove in, I knew the shutter worked from playing with it at different shutter speeds and apertures with the back open so I felt I would be okay. I stepped out onto the covered back patio looking around for something to shoot. Then, I looked down at my side and saw our beloved puppy looking up at me with curiosity.

Using the light meter on my Android phone, (since the batteries and light meter on my old camera were defunct), I saw there was not much ambient light. I had to adjust accordingly. Shooting handheld at 1/125 to help ensure no motion blur left me with only one option. With film, the ISO is fixed. To get a good exposure, I had to stop down to f 1.4, the lowest aperture on my 50mm lens. That left me a razor thin DOF to get her eyes in focus. I swayed back and forth, with her eyes going in and out of focus. Then, I held my breath, steadied, hit the shutter and let it fly.

I practiced shooting outdoors in daylight with the rest of the 24 exposure roll. I only bought a 24 exposure roll instead of 36 in case none of the pictures on this test roll came out, there would be less waste. As I finished, it was off to the lab and wait. I seriously thought if anything came out that this might just be a one and done experiment for the novelty of it and I would go back to my digital world. I never expected what happened instead.

Shooting film catches fire with me.

After a few days, the scanned pictures came back. After seeing the aesthetic of that first film picture I had shot in 30 years (of our puppy looking at the camera), I was immediately hooked. Since that moment, shooting film has caught fire with me. I have lost count of how many different films and number of rolls I’ve shot this year. Even more exciting is that 2025 is not over yet. I even bought two more old film cameras to go with my old Nikon. I have been playing with them as well.

So, I finally “got” the “why” so many people shoot film in our digital world these days. For someone who cut his teeth on film photography back in the day, my new foray into the world of analog photography felt like a warm welcome home. Shooting film has taken me back to the essence of what I learned and loved in my youth about photography.

I now slow down and treasure every frame when I set it up and shoot, whether digital or film, as if it was my last. It has brought the joy back in photography for me. This is just a beginning for me. I am looking forward to what is yet to come.

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Photography Resolutions for 2024 | Justin Mott

Justin Mott offers some good new year photography resolutions of his own that photographers of all levels might want to follow.

Personally, he reinforces one trend I began this year of shooting more with my “Nifty Fifty”. In the past, I only used it it when it was the optimal lens choice and focal length for a given situation. On my city walkarounds, I preferred to use my various zoom lenses mixed with my phone camera photo grabs for many of my “street” shots. This arrangement and process began to feel cumbersome as I began wanting to travel light on those walkarounds. The efficiency of the phone camera grabs was good for immediate editing and getting images “out there” on Social Media, etc., but afterwards I found, in spite of having one of the best phone cameras available, some shots simply did not measure up to the images of the same subject/time/place I captured for comparison with my full frame Nikon DLSR. It also meant having pictures in multiple locations, furthering the complexity of image file management down the road.

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Photoshop Cafe – Will this change Photoshop forever?

As Photoshop evolves with changes almost exponentially this year with a dizzying series of additional features to comprehend and master, this video from Photoshop Cafe does a very nice job of putting the latest change (with filters on this one) in a user friendly useful way that most will find very helpful.

As with most application software updates, they tend to build on and/or modify elements that heavy/moderate users are already familiar with here and this “filter” change is no different in that regard. I expect to make good use of these changes going forward.

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How can you tell if a photo is AI generated? Here are some tips.

PHOTOGRAPH BY FRANS LANTING, NAT GEO IMAGE COLLECTION

https://www.nationalgeographic.com/science/article/how-can-you-tell-if-a-photo-is-ai-generated-here-are-some-tips

It will be interesting to see how AI generated images evolve technologically as they meld their way into the vast universe of visual imagery around us. Their niche will grow, but with that, I feel the demand for authenticity will increase with it, adding value to the work of those genuine creators who produce high-quality visual images.  It brings to mind the value a genuine luxury brand product holds over a good “knock-off,” even when it might be difficult to tell the difference between the two. Of course, these are just my early  musings on AI generated images at this point, and I could be completely wrong on that one.

I enjoy looking back on so many technologies that were introduced over the years, the pundits predictions on their future impact at the time, followed by the realities that unfolded into the future afterward. Learning how to adapt to those new realities is another matter altogether.

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Curzon – Unpacking Wes Anderson’s Cinematic Style | Curzon | Zoë Morgan

This may be the best article I’ve read that details many of the elements of the Wes Anderson aesthetic. As it becomes more ubiquitous over time, some may appreciate it, not knowing anything about its origin. Fans of it should enjoy this article.

https://www.curzon.com/journal/unpacking-wes-anderson-s-cinematic-style/

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Wim Wenders – Photography

Many people are familiar with some of Wim Wenders films, and his captivating moving picture artistry that captivates us in them. What many don’t know, as with many great directors, he is a great still photographer and remains one to this day.

Check out the tribute to his “road’ trilogy in the attached video below along with his website, that includes a section featuring his still photography.

https://www.wim-wenders.com/