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Shooting with Smartphone Camera only Caveat

Late in September 2022, I traveled to the Trinity River / Downtown Dallas area to shoot some pictures. Normally, I take a backpack with one of my Nikon DLSR cameras and lenses. This day, I wanted to travel light, so I just took my Samsung Galaxy S22 Ultra and my Leica D-Lux 7.

While I had only planned to shoot a few river and skyline shots from a distance, then leave, that did not happen. As often happens, I began walking and exploring instead. I hiked down the levee to the Trinity River bottoms trail and kept walking when I discovered the view of some landmarks and infrastructure was very much different and interesting than what we all usually from street and ground (or drone) level. It was captivating, and I kept walking further, shooting pictures with my smartphone, until it “crashed.” There was a message saying the camera had overheated, so it had to close. It was only a mild 91 degrees, which is not hot by Dallas standards, and I’d never had any film or digital SLR/DLSR or.any camera for that matter “shut down” due to the heat, ever in my decades of shooting, including many middle of summer 100+ degree days in TX. The camera did not come back on no matter what I did, and I could see many potential good pictures ahead on the trail.

Fortunately, I had my taken my small Leica D-Lux 7 along with me. It was working, but as with moast mirrorless cameras, it was eating battery power up as I continued to shoot and didn’t have an extra battery. In the end, I was able to capture most of the images I wanted between the two cameras that day. The picture in this post of the Margaret Hunt Hill Bridge taken from below at the river botttom level was taken with my Leica after my smartphone “shut down.”

I experimented with the choice of camera gear I took with me that day and learned a lesson with that experience. Fortunately, it was not a serious shoot, and had it been, I would’ve had my backup Nikon cameras and gear available.

I am sharing this experience as a caveat for those who set out with a smartphone “only” to capture important images. Keep a backup camera close.

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WHY I use a DSLR for Street Photography & How (Nikon D850) by Samuel Streetlife

As one who evolved from the film/darkroom to digital age, I found this a very captivating video on street photography. From the 35mm Kodak Tri X 400 film days of street photography to today, all of the images produced over that span still fascinate me, regardless of how they were captured.

In this video, he captures the most stunning street photography images and video using a blend of the hardware and formats available over the span of 30+ years.

From a personal standpoint, I have much of the gear he uses in this video, from a small Leica D-Lux 7 pocket camera to a Nikon 35 mm film camera and lenses to a Nikon D750 full frame digital camera and lenses. His reason for using the gear is subjectify situational but aligns with what I feel work in capturing street photography images. Where we depart on that, is on many levels, mostly in the when, where how to use the small compact camera vs, the big body DLSR, and in using a manual lens on a DLSR. After watching this video, that will change.

He is shooting carnival scenes in this video, which I have done, but what he does here is nothing short of extraordinary. It gives me some great ideas to practice and use next time I am a State Fair and/or Carnival event. That practice will start today.

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“Side by Side” 2012 American Documentary Film Trailer

“Side by Side” Official Trailer

This film on the topic of “film vs. digital” technology as it applies to movies is now 10 years old but has stuck with me ever since I discovered it back then. I found it profoundly entertaining, educational and fascinating on many levels and still do. While the primary focus of this documentary is how the topic applies to movies, there is much of it that applies to still photography today. With the recent reemergence of still film photography, this film comes to mind often with me. I was born into the film/darkroom age but have yet to get my 35 mm film camera out again, but am planning to for the first time in 25 years after seeing some of the images people are creating on film today.

Anyone who enjoys. movies, the technical and creative aspects of the visual imagery being produced today as well as those in the past, whether still or moving, would probably find this a captivating documentary.

https://www.rottentomatoes.com/m/side_by_side_2012